Last Updated on July 6, 2026 by Hanna Tejada
There’s a particular kind of movie star who dresses for the camera, and then there’s Zoey Deutch, who dresses like she’s been raiding a different decade’s closet her whole life, and somehow makes it look effortless every single time. Her eyewear has quietly become one of the most consistent through-lines in her style, and once you start noticing it, you can’t stop.
The star of Netflix’s new romcom Voicemails for Isabelle is a chameleon on-screen, capable of disappearing into almost any character. But off-screen, her personal formula rarely changes: a deep, almost scholarly love of fashion history, worn through frames that work just as hard as the outfit around them. Here’s how she pulls it off.
Her Style is a Love Letter To Retro and Vintage
Zoey’s affection for fashion history didn’t start on a red carpet. It started on thrifting trips with her mom, the kind of formative ritual that quietly shapes a person’s eye for decades. That early education shows up in nearly everything she wears now, whether she’s grabbing coffee or working a press line. Catch her on any given day and you’ll likely spot a distinctly ’60s or ’70s silhouette: structured A-line skirts, tweed textures, mod mini dresses, high-waisted denim, all on regular rotation.
Deutch in a LongchampxJeremy Scott event c/o zoeydeutch/IG
That vintage instinct sharpens even further during major film festival circuits, where she treats the press tour almost like a curated exhibit. On her run for Nouvelle Vague, she leaned hard into archival Chanel, pulling directly from the tweeds and structured silhouettes of late-1950s and ’60s French cinema, a nod that felt less like styling and more like homage. When she does reach for pattern, she goes bold: ’70s-inspired geometrics, chevron stripes, oversized pointed collars. Her trick is restraint everywhere else, she keeps hair and makeup clean and minimal, so the loudest, most vintage-driven piece in the outfit gets to do all the talking.
The Character Behind the Voicemail
In Voicemails for Isabelle, Deutch plays Jill Shaw, an aspiring baker navigating grief and the quiet chaos of everyday life in San Francisco. Because Jill is grounded and relatable rather than red-carpet-glamorous, her wardrobe pulls back from Zoey’s usual high-fashion instincts, but it never fully lets go of that same “highly curated, retro-leaning” DNA.
The clearest example arrives in the film’s closing scene: an ultra-relaxed, faded black Daydreamer No Doubt Tour ’97 graphic tee. It’s a small choice that does a lot of narrative heavy lifting. The shirt roots Jill in a specific, slightly nostalgic musical era, hinting at an independent, old-soul sensibility without a single line of dialogue. It reads as lived-in and perfectly weathered, the kind of thing you can tell she’s owned and loved for years, not something pulled from a rack that morning. That’s costume design working the exact same way Zoey’s own personal style works: letting the fabric tell the story.
Zoey Deutch on the set of Voicemails for Isabelle c/o zoeydeutch/IG
She Loves Acetates, And There’s a Good Reason Behind It
Zoey’s glasses follow the same philosophy as her tailoring: everything should look like it was made specifically for her. That precision is exactly what acetate delivers.
c/o zoeydeutch/IG
Acetate isn’t your average eyewear plastic. It’s a premium, plant-based material made from cotton or wood pulp, block-cut from layered sheets rather than injection-molded like cheaper alternatives. Because of how it’s made, opticians can gently heat and reshape it around a person’s individual features, which is why a well-fitted acetate frame stays put instead of sliding down the nose mid-conversation.
That same quality is what lets Zoey get away with her go-to shapes: statement geometrics, oversized cat-eyes, chunky retro silhouettes. Cheap plastic tends to warp or snap under that kind of scale. High-grade acetate, on the other hand, holds a strong, architectural shape without losing its integrity, a material built for exactly the bold, sculptural frames she gravitates toward.
c/o zoeydeutch/IG
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The Formula, Head to Toe
Put it all together and Zoey’s whole look starts to make sense as a single idea, not a collection of separate choices: vintage-inspired clothing that references decades known for their glamour, finished with an eyewear material engineered to hold up to equally dramatic shapes. It’s a lesson in getting the details right, the frame should feel as considered as the outfit it’s paired with.
If her aesthetic speaks to you, the formula isn’t complicated, but it is specific. Start with warm tortoiseshell or classic black acetate, the two shades that read as timeless rather than trendy. Go big on shape, think oversized cat-eyes or rounded geometric silhouettes, the kind that command a little attention instead of disappearing into your face. And don’t shy away from heft. A frame with real presence isn’t excessive; it’s the whole point. That weight is what separates a true style statement from an afterthought.
That’s the throughline of Zoey’s whole approach, pick pieces with history behind them, and let the frame carry as much personality as the outfit.
